Our 2016 Christmas Concert was an amazing success, with our first-ever standing room only audience! How good it was to see extra chairs being added to the back of the church. The Bill Bell cantata, The Other Wise Man, was much loved by our singers and the audience too! Phillip Marcizewski's A Child is Born was a joy to learn and to sing! Thanks to these two local composers for their wonderful music!
Another highlight was a song dedicated to the memory of Dr. Charles Hirt and his USC Chamber Singers. Each year at the Christmas Convocation they would close the program with an English Street Cry song, Won't You Buy my Sweet Blooming Lavender, arranged by Max Krone, one time head of the USC School of Music and founder of Idyllwild Arts. The chorale found an arrangement of the song in print! It features a soloist backed up by the chorale. Soprano soloist, Penny Quinn came down the aisle of the church carrying a basket of lavender, dressed in a Dickens-like cape. As she sang she handed out lavender sprigs to the audience.
The carol sing-along was enhanced when chorale members filled the aisles to sing with the audience. The final Silent Night was an amazing experience with chorale and audience singing, and orchestra playing. The room was totally filled with beautiful sound!
But now, we move on to rehearsals for the Spring Concert, scheduled for May 21! The major work will be the Mozart Requiem. Several of us have sung this before and love it. Rehearsals will begin on Tuesday, January 24, 7:00 pm at San Manuel Gathering Hall at Dorothy Ramon Learning Center,
127 N. San Gorgonio Ave., Banning. We invite new singers to join us and learn this wonderful work.
We will also be learning lighter music, like the Fly-Away Medly by Mark Hayes and patriotic music to celebrate Armed Forces Day.
Showing posts with label Charles Hirt. Show all posts
Showing posts with label Charles Hirt. Show all posts
Wednesday, January 4, 2017
Wednesday, September 9, 2009
Eleventh Rehearsal
We returned to action after a week off. We started with our Christmas anthems. The first was the Norwegian carol, "I am so glad." We worked on some of the trickier sections, and alto Robin gave us the name of a woman who knows Norwegian. We may be able to sing in Norwegian yet! The carol, Still, Still, Still is beginning to sound very nice. It is a gorgeous arrangement and a flute will accompany the choir (as well as keyboard).
We worked on the rhythms of the calypso, Mary's Boy Child, arranged by Jester Hairston. I remember hearing this carol every year when we were students at USC. The annual Christmas concert always featured two carols, sung by the Chamber Singers, directed by Charles Hirt. One was Mary's Boy Child. The solo part was highly prized, and I remeber Ernest's roommate, tenor John Fleming, did it more than once. The other was a soprano solo with choir, "Who will buy my sweet blooming lavender?" There was high competition for that solo too. I don't know of an arrangement for the Lavender carol, maybe it was Charles Hirt's own. Those two carols meant it was really Christmas again.
We then started the Magnificat at the beginning and got about half way through before the rehearsal ended. We'll start at that point next week!
We worked on the rhythms of the calypso, Mary's Boy Child, arranged by Jester Hairston. I remember hearing this carol every year when we were students at USC. The annual Christmas concert always featured two carols, sung by the Chamber Singers, directed by Charles Hirt. One was Mary's Boy Child. The solo part was highly prized, and I remeber Ernest's roommate, tenor John Fleming, did it more than once. The other was a soprano solo with choir, "Who will buy my sweet blooming lavender?" There was high competition for that solo too. I don't know of an arrangement for the Lavender carol, maybe it was Charles Hirt's own. Those two carols meant it was really Christmas again.
We then started the Magnificat at the beginning and got about half way through before the rehearsal ended. We'll start at that point next week!
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